6 core ideas for public speaking | Blythe Coons & Acacia Duncan @ Articulation | DS Hangout
A must-see episode of the Hangout, especially if you have ever needed to give a presentation (and who hasn’t??). Acacia and Blythe from Articulation are experts at helping presenters craft their messages, and they’ve worked with many, many Posit Conference speakers over the years. If you’ve ever heard conf speakers gush about getting to work with Articulation to prepare their talks, you’ll understand why by the end of this discussion. There’s a reason more than 200 hangout members attended this one! Timestamps: 07:15 What are threshold concepts? What does Articulation do? 09:25 Threshold concept 1 - Speaking is habitual (not natural) 10:15 Threshold concept 2 - Speaking is embodied 11:30 Threshold concept 3 - Speaking is social 12:50 Threshold concept 4 - Speaking is messy 13:45 Threshold concept 5 - Speaking contains multiple genres 15:25 Threshold concept 6 - Speaking requires feedback 17:15 How do you construct a story when presenting data? What resources are there? 19:40 How do you structure a story? 21:05 Why is the Hero’s Journey the wrong structure for storytelling with data? (Your audience is Luke Skywalker, not you!) 24:25 Where do data people go wrong? How can data communicators improve? 25:40 How much information should you include in a presentation? How much is too much? 29:00 Should you create a document to hand out alongside your slides? 32:10 How do you change a company culture of having wordy PowerPoint slides? 34:35 What happens when PowerPoint slides are too wordy? 36:10 How do you reduce stress responses when giving a presentation? 43:15 How can you slow down if you’re a fast talker or nervously speed up while presenting? 46:20 What are some tools for planning presentations? 48:20 How does presenting on Zoom differ from presenting in person? 52:50 Tips for switching back and forth between in person and Zoom 55:00 How do you coach someone on a technical presentation if you’re not an expert in it? 57:45 How can you be yourself when giving a presentation? Here are a few of the key topics covered in the discussion: The threshold Concepts of speaking. These are the core ideas you must understand in order to really succeed in public speaking. Data Storytelling. Spoiler! There is more than one type of story in your data presentation, and you’re not the hero of any of them. Structuring a story. The basics of structure, but also how to answer the right question (spoiler again, it’s not the question you’re interested in). Common struggles in data communication. Do you bury the lede? Are you a non-linear thinker? Do you get super anxious and lost? Do you talk way too fast??? Coping with Zoom. Why presenting on zoom can be a challenge and what we can we do about it. Links from this episode: Blythe on LinkedIn: https://www.linkedin.com/in/blythe-coons-05196485/ Acacia on LinkedIn: https://www.linkedin.com/in/acacia-duncan-919899b8/ Articulation’s website: https://www.articulationinc.com/ Threshold Concepts: https://www.articulationinc.com/threshold-concepts-reflections-effective-speaker/ Storytelling with Data Podcast: https://www.storytellingwithdata.com/podcast Speeko, an app for analyzing your speaking pace and tone: https://www.speeko.co/ Milanote, a tool for organizing creative projects: https://milanote.com/ Did you miss joining us in person? If so, you missed out on some awesome resources from the chat! We’ve got you covered: Isabella shared some hex wall Zoom backgrounds in the virtual swag bag for positconf2024: https://github.com/posit-marketing/posit-conf-virtual-swag-bag Several people suggested the book Storytelling with Data by Cole Nussbaumer Knaflic: https://www.storytellingwithdata.com/books Watch Laura Gast’s talk from PositConf2023 about why good design is worth the time when it comes to data communication: https://www.youtube.com/watch?v=Kp-LQe3WgDU Tom Belanger shared the Stats + Stories Podcast: https://statsandstories.net/ Jared Cornell suggested the book The Fearless Mind: https://abinoda.com/book/the-fearless-mind Michael Kaminsky shared the book Resonate by Nancy Duarte: https://www.duarte.com/resources/books/resonate/ Laura Gast shared the book “If I understood you would I have this look on my face” by Alan Alda about his days interviewing for PBS Nova: https://www.penguinrandomhouse.com/books/533869/if-i-understood-you-would-i-have-this-look-on-my-face-by-alan-alda/ The Quarto Keeper! Like a Trapper Keeper, but in Quarto, and for making notes at big meetings or conferences: https://github.com/ats/quarto-keeper (by Alan Schussman) Lydia Gibson shared that the last chapter of R4DS has some resources listed in the summary for effective communication in different types of formats (presentations, public speaking, etc.) https://r4ds.hadley.nz/quarto-formats The Center Cam for making eye contact on Zoom: https://thecentercam.com/
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Transcript#
This transcript was generated automatically and may contain errors.
Well, hi everybody. Welcome to the Data Science Hangout. I'm Rachel. If we haven't had a chance to meet yet, I lead customer marketing at Posit. We're the open source data science company building tools for the individual, team, and enterprise. So thanks so much for hanging out with us today. The Hangout is our open space to hear what's going on in the world of data across all different industries and connect with others who are facing similar things as you.
And so we get together here every Thursday at the same time, same place, except not next week, because next week we will be taking off because we'll be in Seattle for Posit Conf next week. So I just mentioned this, but for anybody who just jumped in now, we'd love to have you join us virtually if you're not able to join us in person in Seattle.
And I really like adding this in now to our intro. But I know people really enjoy connecting with other attendees here. So if you are interested in connecting with other people, I want to encourage you to say hello here in the beginning and introduce yourself. Feel free to share your LinkedIn or role, where you're based, something you do for fun. We're all dedicated to keeping this a friendly and welcoming space, the friendly and welcoming space that you all have made it, and love hearing from you no matter your years of experience, titles, industry, or languages that you work in too.
If it's your first one, I'll add it's 100% okay if you just want to listen in here too, or if you've been joining for weeks. Although we love to get to hear from you live. So there's three ways that you can ask questions or provide your own perspective. So you can raise your hand on Zoom and I'll call on you to jump in. You could put questions into the Zoom chat and feel free to put a little star or asterisk next to it. If it's something you want me to read, maybe you're in a coffee shop or walking your dog or something. And then third, we have a Slido link where you can ask questions anonymously.
With all that, thank you so much for joining us today. I'm so excited to be joined by my two co-hosts for today, Acacia Duncan and Blythe Coons from Articulation. And so as you may know, all Posit.com speakers receive coaching from Articulation. And so this was actually one of my favorite parts about doing a talk. And Articulation has been coaching speakers for Posit.com for the past five years.
Introducing Acacia and Blythe
Thanks, Rachel. And hi, everybody. My name is Acacia Duncan and I'm the Director of Coaching and Training at Articulation. And I got to say today, I have a little bit of imposter syndrome being with all of you because I live in the world of communication usually. And here I am with all of you incredibly smart data people, many of whom I have had the honor of meeting through the coaching at Posit.com.
Knowing a little bit about me, I guess what you need to know is that I've always kind of had this dual personality. Even back in college, I was a double major. I majored in theater performance. But I also couldn't get enough out of that. I had to get something more concrete. So I also got an economics degree. So I really do enjoy numbers and math and things like that as well.
For fun, I am really jealous that you all be in Seattle because my favorite thing to do when I have time is to get away from Columbus, Ohio, where I live, where everything is really flat and kind of boring landscape. And I love to get out to the mountains. So I'm jealous that you all be near Mount Rainier, which is the very first mountain that I ever camped on.
Hi, everybody. I'm Blythe Coons. And I have to say, I was a little bit nervous that I wouldn't know anybody. And of course, I'm seeing all of these people that I know from past coaching years or this year. And it's just really wonderful to have you all here today. I am an executive speech and communications coach for Articulation.
And I came to this position in a little bit more of a roundabout way than maybe Acacia did. I did not come to the training in acting until it was my third degree. But when I went to college, my parents always said, whatever you do, if you can communicate well, you can do anything. And I took that to heart and I became an English major. And since then, I've done it all. I've been a high school English teacher. I've been a field hockey coach. I have been a VP at a steel manufacturing firm. I've run a co-working space and done high-end hospitality. I've done legal and financial services and HR. And I landed here at Articulation and it really seems like everything came to where it was meant to be.
My favorite thing to do, I don't want to sound too much like Acacia, but let me tell you, I'm so excited to be going to Seattle because I'm going to get some fresh air and outdoor time. And I'm definitely taking hikes on Saturday and Sunday. But one of the other things I really love to do is find new and exciting food. And oddly enough, Columbus is like a really great place for that.
Threshold concepts of public speaking
Well, thank you both so much. But I know when we were just chatting before the Hangout, we were talking a little bit about these threshold concepts of public speaking. And I thought this would be a nice place to start with our conversation. Could you tell us a little bit more about what those threshold concepts are?
Sure. And I feel like threshold concepts is what I would say is jargon probably to many people on this call. So let me start by defining them. But before that, I think it helps to know what we do at Articulation because many people at Posit know us through coaching speakers to deliver a talk. So when we come in and we're coaching to deliver to a talk, we're helping you work on a communication, a single thing. But the mission of our company is actually to empower leaders to deliver consequential communications. And I think it's really important that the person in that sentence comes before the communication.
So threshold concepts, and if anybody here is in education, you may already understand what threshold concepts are. These are ideas that are inherent to a field that you have to truly understand if you want to progress in the field. So threshold concepts with speaking are things you have to understand in the core of your being if you want to be a great communicator versus just have one good communication and always starting from scratch. Threshold concepts are really transformative. They really change the way you think and the way you behave once you understand them. What else? They cross the discipline. So you'll see them popping up in lots of ways. And as we talk about them today, I bet people on this call have experienced them.
And they're also sometimes really troublesome. I'll admit that I don't like some of the threshold concepts, even though they're true. They give me a hard time. I don't want them to be true. They cause me problems. So that's what threshold concepts are. And there are six when it comes to public speaking. Blythe, do you have those up and ready to go?
Yeah, absolutely. So the first one, I think, is the one that's probably hardest to wrap our heads around. And it's that speaking is habitual, not natural. Because we are born, potentially, with the ability to speak. And that isn't true for everyone. But for most of us, it is. We think that speaking is something that we can just do. But public speaking and being a good and effective communicator is habitual, which means that it can be learned, that there are a set of skills that you can start to incorporate into your life to become better at doing that. And so for those of you who say, oh, I'm not a good speaker, or I don't like public speaking, it is something that there is a future for. And I think that's really important, right? That you don't have to stop and not do it just because you're not good at it. At this moment, you can become good at it. And that's exciting, I think.
The second one is speaking is embodied. Maybe this is a no-brainer, but we thought it was really important to call out. Because we talked to a lot of people who are saying to us, well, I ran it in my head. And let me tell you, I've done plays where I did nothing but run the lines in my head for days and days and days. And then the first time they came out of my mouth, I stumbled and fell flat, and it didn't go well.
That's my biggest example of learning lots of words. But if we're doing it in our head, we're not actually putting all the pieces and parts together, because speaking is embodied. There is a muscle memory to it. So when the words come out of our mouth and we stand on our two feet or however we're going to present those words out loud, we start to learn something new about the words that we're actually sharing. So that's something to consider if you're like, I was running it in my head. I knew it really well five minutes ago. Maybe say it out loud and see what changes.
The third one is that speaking is social. And this means that it really involves other people. So we have to be considering our audience at all times. Have you ever said nothing specific to anyone in particular? And of course, people are like, well, I talked to myself, but even talking to yourself has a purpose. And so we really consider speaking to be social. There's an audience to consider, what are you trying to do to that audience? And the audience makes the meaning, like a different audience is going to change the kind of information you want to share. But it also includes the idea that speaking is rhetorical. And that's a, like a fancy jargony word, but really it means that you are doing it for a purpose. And it can also include the idea that speaking and speaking words out loud is temporal. And even if it's being recorded like this is today, that recording is going to be watched at a different time in a different context, and therefore different influences will be taking place.
The fourth is that speaking is messy. And it took us a second to get to this one because originally it was more about, well, speaking, the process can be non-linear. And this is absolutely true. And for those of us who have done coaching with us, you know that we'll come in and say, okay, what's your big idea? But maybe you have a lot of data and that's how you get to your big idea, or you have an idea first, and then you have to find the data that supports it. So there are lots of different ways to approach a message and a communication.
And I think that's something to consider. But the other part about speaking being messy includes the inherent risk that comes with speaking your thoughts out loud to a group of people that you may or may not know. And so there's vulnerability there. The fifth one is that speaking contains multiple genres. And just, if you would, throw into the chat some of the genres that you've all encountered in public speaking. These would be like situations or types of speaking communications that you'll be called to do.
Sermons. Absolutely. Colloquial. TED Talks. Fantastic. Business. Convincing people. Humor. All of these. These are fantastic. So what you may have noticed from all of these toasts, maid of honor toasts, shares for shareholders for non-profit, all of these different genres require maybe different skills. And not maybe. They do require different skills. Because your audience is going to be different. And what you're trying to do to that audience or have them do is going to be different. And it might require different language. And it might require a different setup, like a physical setup. All of these things are part of genre. And so we have to consider all those parts and pieces when we're preparing for a communication.
The last one is speaking requires feedback. And I don't think that there is any better case study than POSIT and the coaching that we do for the speakers. Because they come to us to get feedback, not just from Acacia and me or our colleague and founder Ruth, who offer feedback on structure and organization and things like that. But they also come to get feedback on their content, which they get from other members of the audience and other speakers and other members of your community. So that feedback is really important. But also how the feedback is given is really important. And that's why we structure it so carefully to make sure that you are getting feedback, the speakers are getting feedback that is valuable and doesn't throw them off course and doesn't totally explode their talk at the last minute, which we've seen.
Those are our six threshold concepts. What did I miss, Acacia?
I don't think you missed any of them. You know, it's so interesting when I hear them, because I've heard them so many times now, they sound so obvious every time. But so much kind of starts to fall out from them. And when we're coaching people, we really see people kind of take missteps when they really don't fully embody what it means that speaking is social and that the audience gets to make meaning from what you say. So that means I can't use my language like threshold concepts without explaining it to you and hoping that you follow me and that there's a risk you don't understand me.
Storytelling with data
I am just loving seeing the chat that's happening right now and everybody just connecting. There was an anonymous question that came in a few minutes ago. And it was, I hear the phrase storytelling being used a lot when presenting data. Are there any resources or methods you can suggest to help with constructing the story?
So a couple, you said resources first. There's a podcast on storytelling with data. It might be data storytelling or storytelling with data. And when I hear people using the term storytelling, and we get lots of people calling in saying, hey, can you help my team with storytelling? I know they might mean very different things. So let me kind of break down the different types of storytelling you might mean.
One in data storytelling, there is the visual storytelling. And I know when people talk about data and storytelling, sometimes they are actually meaning the visual representation of that storytelling. And does the visual help you to tell the story? Another storytelling when people use that is what they mean is the overarching message. So they would be talking about an entire communication and they mean storytelling is the art of the entire communication. That's not the way I like to use storytelling because I like to think of that as the structure and the organization of the message. And then the last way to think about it is a discrete story, something that has a time and a place and characters.
And when it comes to working with a lot of data scientists and a lot of people who work with data, what I find can help is to use the last category of storytelling to level up your ability to communicate data. Because our brains are actually, they more easily understand people. So if you can take your data and tell it as a story of people or a person, you're a lot closer to connecting with what your audience might understand.
Yeah, there's actually an example in one of our classes. There's a structure to storytelling that can help. And that is, and I didn't make this up, storytelling is way older than we are. And there are a ton of other ways you can tell stories. But the structure is you always want to start with the context, which is at minimum, it's your time and your place and your characters. So when you're walking through your data, start by orienting people to that context first. Then you share the action, what actually happened in the story. And then the last is the result. And that would be your finding. So if you do have a data visualization up, you would want to point to where people should see in the visualization, the finding. As you can see at this place on the graph, there's this big difference here. And that tells us this.
The hero's journey problem
One of the patterns I've noticed with analysts is a desire to tell a story about their data or their analysis as a hero's journey with themselves as the hero. And basically tell every step they went through. And I strongly advise against this because I find for almost every audience, unless you're training an analyst of how to do that work, but if you're presenting to executives or anything, they kind of don't care. They want to hear more of the pattern you laid out previously about observations, findings, conclusions. And my wife was a newspaper editor. So she's always like, you business people, bury the lead. So I have a tendency to put a very front page of like, here's where we're going. And I kind of lead with my conclusions. Then I tell a story arc that isn't my hero's journey of what an amazing analyst I am, but more like, here's what we learned. Here's the conclusion. I kind of tell them what I've told them we were going to tell them there at the end. Can you guys explain that design pattern? What works? What doesn't? How to avoid the hero's journey?
I 100% think you're on base with it. Like our boss likes to, and so I can use this knowing probably everyone in the room, know Star Wars as a metaphor. What she always likes to say is when you're actually delivering a message or telling a story to your audience, you need to remember that they are Luke Skywalker. They're the hero. Not you. Now you might be Obi-Wan. You might have a great lightsaber that you want to point out to them, but you're not actually the hero of the journey. And that they have a Darth Vader.
So I would say when you're thinking about those structures of tell them what you want to tell them, tell them, and then tell them again, right? Tell them what you told them. Those kinds of structures are all designed around the repetition that an audience really needs to hear. It is also helpful for people to know where you're going at the beginning. Like we want to know that Cinderella is going to get the prince and everything's going to turn out happily in business. We want to know that in the first 30 seconds. I don't want to wait till the end of the story in business for that. So those structures really, really help.
But fundamentally, I think where people can get off when I coach them is that they're answering a question that they want to know the answer to. Whereas you want to focus on what question does your audience want the answer to. Sometimes they're asking the wrong question and you need to actually help bring them to a different question. But the more closely you can get aligned to the question that's in their mind, the more successful communications usually are.
But fundamentally, I think where people can get off when I coach them is that they're answering a question that they want to know the answer to. Whereas you want to focus on what question does your audience want the answer to.
Common themes with data presenters
My question is a pretty simple one, I think. Maybe not. I was wondering if you all had maybe some themes that you've noticed in folks that work with data a lot. And I think James kind of touched on one of them just now. But if you might talk about kind of broader themes where folks that work in data or analysis or economists like you and I, Acacia, where we could improve generally, things that maybe where we don't always hit the mark or we're not quite connected.
So in terms of PositConf talks, there are definitely themes. There are story talks, there are package talks, and there are sort of, here's this big idea. Those are the big three. But I think, Arsenis, I think what we see the most is people getting a little bit too bogged down in the details.
And I did see a question early on come into the chat that was like, how do you know how much to tell somebody? And it really depends. It depends on your audience. It depends on how much they know. It depends on how much you want them to know. But it also depends on how much time you have to do that. So a lot of this is like your life's work. And so every moment of it seems incredibly important. And this is sort of where we get into the hero's journey. I want to tell everybody exactly every single step I took and every single line of code I wrote.
And really, it's about, again, to Acacia's point, it's about pulling out these ideas, these bigger headlines. And really, it's about identifying sort of, if you have a lot of time, and let's say that's 10 to 20 minutes, you may want to isolate three big ideas that help you, that you can put all of the other smaller ideas, you can group all of the other smaller ideas into. So if it's a matter of how do I decide what I share, put it all on the wall. And then organize it. See if there are themes around those ideas that come together. And if there are things, if there are outliers, then maybe they don't need to be shared. Maybe they go into an appendix.
Maybe they're not relevant to this topic. But it also goes back to what Acacia said, in that you have to keep returning to the question that you are answering. And it is the question on the audience's mind or that you want to put into the audience's mind. And that should help streamline what you share. There is a danger of a question being too big, too broad. And so you really have to think about right sizing the question that you're answering.
And you know, Blythe talked about an appendix. So I'll just say we could probably give a whole other session on visualization while you're speaking. But I'll give you the headline of it, because I do think it's a mistake that I've seen frequently with data people, not just data people, though. And that is trying to put all of your thoughts on the slide. And the audience can't read and listen at the same time. So the more words you put in front of them, as we're all experiencing, if you're trying to read the chat, you can't listen to me very well. It's really hard to do both. So if you put lots of words in front of people's faces, it's going to be hard for them to actually hear you. If you're giving someone a complex visualization, or you really want them to pay attention to a graph with results, stop talking for a little bit. Give them a moment to actually absorb that information.
Slides versus documents
What do you guys think? I'm a preacher of the slides for your presentation and a document for circulating for reading. Otherwise, you get a shitty version of either it's either a bad document in the shape of a slide or it's slides with too many words. So I do one or the other and kind of encourage folks to do that. But people look at that and they're like, that's a lot of work. And what I usually find is what I want to do first is circulate a written document. And then when it comes time, after lots of people have opined on that and edited and everything, and it's going to come time to share it with a group, I'll reduce that to slides. What design patterns have you guys seen to avoid this thing where we're making a slide deck that is both a shitty slide deck and a shitty document at the same time?
I mean, obviously, some of this is always going to come down to how high of importance, I'm a communication coach, that's not great English, but how important the communication actually is, because this is all going to come down to a battle for your time and what you have time to invest. The more important, the more you would want to lean into everything having a purpose for its use. So while I'm speaking, I want, we call it the walking deck. This is the deck that you would be using while you're talking so that people can follow along and so that you have any little facts you need along the way and you're speaking. And then there would be either a read ahead, which I agree with you. I think if it's about reading, you probably want to go into a different format than a PowerPoint.
And now that I'm learning more about how you guys do things with Quarto and things like that, I'm learning that that would be less difficult than I would find it because I don't understand how to do that. But yes, a document is better for reading. But if you can't do that, you could do the more full deck with full sentences to share. Or if the culture of your company, some of you may work for companies where that's just the culture of the company, you share PowerPoint decks. There is one company we do a lot of work with that's a large bank. And their CEO wants a PowerPoint deck that he can read before the leadership meetings. That means it trickles down to every layer of the business. And they can't change that until their CEO changes the culture.
So then you might have to live within the culture of your company. But keep in mind what you need to do to be successful as a communicator, which is usually lesson what's on the slides while you're speaking. So that would be like one intense set of slides for pre-read. And then when you pitch or do the in-person meeting, maybe a reduction of that with just the most salient points you're trying to make.
You could also share with them that Amazon years ago decided they were done with these terrible PowerPoint decks and they mixed PowerPoint decks. And what they do now is they create a one-page written memo. And it's a very structured format they have to follow. And the beginning of any meeting is silent while everyone reads the memo. And then they talk and they do their usual discussion around it. And the idea behind it, as Jeff Bezos talked about it, was that the slide deck is easy for the speaker and hard for the listener. Whereas the memo is really hard for the speaker or the deliverer and easier for the listener or the absorber. So, you could share that Amazon success story.
Speaking is messy: stress and flow
So, Grace, I saw your question. Just tell me a little bit more about what you mean by the messiness of the spoken content.
So, probably, like an example, you would be prepared or you would have specific ideas to talk about. And then once it's your turn to talk or go through these ideas, it gets all messy and probably the order of the ideas gets interrupted and you don't convey or I don't convey the specific message that I wanted to convey from the beginning.
Okay. That's a helpful explanation. Thank you. So, there are a couple of things happening here. The first I'm hearing is that you might be having some stress responses, which is completely normal. So, Grace, I think one of the things that you're touching on are stress responses and stress behaviors that are coming out. And that's one of the ways we tend to get jumbled up. When we go into a high-pressure situation and we think it's going to go one way and then it gets derailed, we immediately start to backtrack or mess things up. Things don't come out fluidly the way we want them to. So, you need to acknowledge that you're having a stress response. And there are a couple things that you can do to waylay those, to really basically short circuit what's happening in your brain.
The other thing, Grace, that I'm hearing you say is that you get interrupted. And oftentimes, people interrupt because you haven't gotten to what they want to know fast enough. And so, that structure that we talked about a couple minutes ago about giving them the end of the story up front, that bottom line up front, can really help them know that you're going to get there, that this is the point you're going to make, and you're on your way to get there.
Don't forget to breathe. It sounds so small, and it is so powerful. In the moment when you are feeling like things are going off the rails, stop and take a breath. And make sure you take a deep breath, like feel it expand your belly, not just your chest, right? Because you're just going to hyperventilate if you keep it really high. But it is going to make a big difference if you breathe. It's going to give your brain a moment to reconnect. It's going to give everybody a pause.
Yeah. I just want to agree with Jared put in the chat, like the bravest people of all are often the people speaking in not their native language. And having worked with a lot of people speaking English, and it's not their native language. And even for some people who maybe they're just their brains don't think linearly, right? They think in webs. And I think there might be a lot of people in data who think in webs. And that's part of what makes you good at your job. What we mean by that messiness is understanding that that process of going from the web to something linear is a messy process. And there isn't going to be one tried and true, I can always do it this way to make it work. It's accepting that. And that's why this is one of the problematic threshold concepts for people because you can't remove the mess.
And that's why this is one of the problematic threshold concepts for people because you can't remove the mess.
Pace of speech
Yeah. So when I get really excited about what I'm talking about or nervous, either of those two, my speaking speed goes off the rails. I mean, so fast, almost like my words become one long word. It's something that I've worked hard on over the last decade, and I still struggle with it, but I wanted to get some tips or thoughts you have about that, either what you do maybe when you catch yourself in the middle of a presentation starting to speed up, or if you're just going quick out the gate because you're worried about time constraints.
Hi, Marlene. I'm also sometimes an excited fast talker, so I can feel you. I'll give you all like an app actually we've been playing with that you could try out if you wanted to. It's an app called SpeakOh. This is, it's a new like AI-ish kind of tool, but it gives you metrics. So if you wanted to try and measure your voice, first of all, I would question whether it's your internal barometer that's telling you it's too fast or whether externally it's too fast, and these kind of apps can actually help you to determine.
A good rate of speech is somewhere between 125 to 160-ish words per minute. Some people can listen faster than that, like people who listen to all their podcasts twice, and two times speed. But what allows us to listen even at faster speeds, so if you catch yourself, Marlene, talking really fast or anybody else on the call, what you want to do is lean into pauses and breaths. So when you think about newscasters, they actually speak at an incredibly fast rate of speech, but we understand them because they put in pauses and they put in breaths, and we think of those as auditory punctuation. If I were to put text in front of you and remove the periods and the commas and the, um, any sort of punctuation, it would be very difficult to read. Same with speaking. We need the punctuation as listeners. So lean into breathing, lean into pausing.
Now there was a subset of what you said, which is one is I get going too excited, I go going fast with them excited, and the other is I have so much to say and so little time. And if you're in the I have so much to say and so little time bucket, I'm here to tell you that there is going to be a boxing match always between time and content. Time gets to win. So if you are rushing because you have so much to say, you actually need to look at your content and be brutal about cutting because just getting it all in is not effective if people can't listen to it.
Presenting on Zoom versus in person
I think it's always been true. There's this funny little graphic that we used to show when we were helping people transition to virtual presentations. And it's this graph where on the y-axis is interest that people have and the x-axis is length of time speaking. And of course, at the beginning, people have high interest and then it loops down pretty fast to low interest as you continue speaking. And I feel like virtual, the biggest difference is that curve is steeper for most listeners. So your need to be clearer, more concise, and be able to tell people where you're going very early is much higher in a virtual world. People are more forgiving in an in-person environment because they have a lot of other stuff that helps them to come to understanding all the non-verbals, just the energy that's there.
Yeah, go ahead, J.D. I was going to say the first time I presented in a Zoom meeting where I couldn't see anyone's face. So at least here I can see five people. I presented in one where I could see nothing. It was an absolute mind melter. I found it was so hard because I was getting no facial expression feedback. And I didn't know prior to that, that I was incredibly dependent on that. And I spent that whole thing, part of my head screaming, this is awful. This something is going terribly wrong because of the lack of facial expressions. Now I watched the recording of it later and it was fine, but I found that incredibly hard.
Yeah, you make a really good point. And it depends again on your culture, on your company's culture, how you're presenting, but you can ask people to come on camera. It is a pretty big requirement of Acacia's and my work that we are able to see the person we're talking to. And so I had a group of from one company that were not on camera people. And I said, I'm going to need you to come on camera. And they bristled at it, but they did it. And it enriched the experience because then you're not staring into the void. The other thing, and this is a really weird thing, and I haven't done it once yet during this Hangout, is as a speaker, and this is really hard, you want to be looking at their faces and you should just to get their reaction, but you also want to be looking into the camera so that they feel like you're making eye contact with them as well. And that's just one tiny little shift that you can make that can sometimes close the distance.
Being yourself when presenting
So this is where the stress can sometimes get in the way. But I think I read somebody wrote something like, I used to have a boss who put on a presentation voice. And that's not a great idea. I used to have a lot of friends who would put on Shakespeare voices to present Shakespeare. And I was like, we can all just sound like humans when we do. We don't have to sound a specific way.
So it sounds stupid. It sounds pat, but breathing, identifying your stress behaviors, getting ahead of them, those sorts of things. I was recently on a Posit coaching call with Joe Chang, and there was someone who was reading their talk. And Joe said, one of the things I love about Posit is that people make mistakes. And sometimes you'll stumble over your words, but it sounds natural. And that's what he was really looking for in Posit conf talks. And that's what Acacia and I are almost always looking for.
So I think there's a little bit of fear about, well, if I put on this character, it's not me and I don't have to worry about it as much because it doesn't reflect on me in this particular way. But I do think that if you acknowledge the risk and you do everything you can to mitigate it, which is part of the threshold concepts, if you do everything you can to mitigate it, go in prepared, know your structure, know what question you're answering, know what your audience wants, know what your goal is. All of those things are going to help you slide into being you. And also I'm going to ask everyone to do this. Trust your knowledge. Most of the time you are there and asked to speak on something because you are a subject matter expert. So trust your innate, not your innate knowledge, but your learned knowledge. And that is going to be better than anything you could memorize or plan down to the last second in detail. Just please trust yourselves a little bit.
I will only tack on one thing, which is we want to hear your voice. And by we, I mean every single audience member you ever have wants to hear your perspective. They want to hear your authentic voice. So keep that in mind as you're trying your best to do that.
I will only tack on one thing, which is we want to hear your voice. And by we, I mean every single audience member you ever have wants to hear your perspective. They want to hear your authentic voice.
Thank you both so much. This has been so fun. I love this conversation today and I'm so excited to also get to go read back through some of the conversation in the chat too. Thank you all for taking the time to join us today too. If it was your first Hangout today, we'd love to have you back. Again, we have these every Thursday at the same time, same place, except for next week because we will be at the POSIT conference. But thank you all so much. And Blythe and Acacia, I really appreciate you jumping on here with us. It's great to talk about our favorite subject. So you got us on our favorite subject and with such a great group of people. We love the POSIT audience every year. It's a wonderful community. It makes me want to learn R just so I can join the community.